Merging these views with typography posed challenges. Each name was legally required to appear for a specific (and varied) amount of time, difficult, given the swirling, fine-lines of the art design and Marvel’s stereoscopic 3D imagery requirement.
The solution from our lead motion designer Duarte Elvas, was to suspend names and titles in type boxes that matched the fiber-optic thread motif.
We used Cinema 4D as the primary production tool for the MOE, Nuke for compositing and Smoke for finishing. Finished, the sequence shows off not only our design and animation talents, but also our deep visual effects (VFX) capabilities.