Amazon MGM Studios
Main Title Sequence
Titling
Motion Design
Typography
CG (Computer Graphics)
Editorial

Butterfly

We were thrilled to once again collaborate with showrunner Ken Woodruff on his new Amazon MGM Studios series, Butterfly, co-created with Steph Cha.

Adapted from the graphic novel of the same name (featuring our design work on the reprint cover, too), this gripping, character-driven thriller dives into tangled family dynamics set against the high-stakes world of global espionage.

Main Title Sequence

In crafting the main title sequence, we focused on themes that shaped every vignette. At the core was espionage — capturing the tension, secrecy, and intrigue driving the narrative. Equally important was the cultural and emotional bridge between Korea and America, showing how these two worlds intersect and collide within the story.

We also built in high-energy action, paired with intimate character moments that reveal connections, conflicts, and growth, adding both intensity and emotional depth.

Our characters were placed front and center, portrayed in ways true to their personalities and roles. Beyond authenticity, we emphasized visual composition — designing scenes that are as dynamic and compelling as they are meaningful.

Animation was treated as more than a style choice: it was key to the storytelling. We wanted unexpected movement and bold transitions that surprised viewers, sustained their curiosity, and made the sequence feel alive. The goal was to create not just an introduction, but an immersive experience. Our goal was set the tone, build intrigue, and pull audiences into the world of Butterfly from the very first frame.

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Proud ♥

I’ve been lucky enough to work with Sarofsky multiple times throughout my career and each time they delivered beautiful, innovative, thoughtful work that elevated the project as a whole. They are a joy to work with and ideal collaborators in every sense of the word.

Initial Styleframes
Color Studies

The team first explored black-and-white styleframes but ultimately chose color for the sequence. From there, we looked to the colors of Korea — testing palettes that ranged from bold and vibrant to more muted, desaturated tones.

 

The latter won out, echoing the sun-faded, timeworn hues of the show’s real-world locations.

 

The Opening Sequence

To introduce our hero, David, in episode one, we open with something intimate: a voicemail he leaves for his daughter. This small gesture sets the emotional tone, grounding the audience in David’s humanity from the start. The challenge was to represent that voicemail visually in a way that felt both meaningful and woven into the world of the show.

Our solution was a custom soundwave visualization of David’s voice. Built with layered depth and texture, it feels dimensional and alive, rather than a flat graphic. As the sequence unfolds, the soundwave morphs into the sprawling cityscape

of Seoul, symbolizing the bridge between David’s personal world and the vast, complex environment around him.

This soundwave design does more than open the story. Its style, palette, and layered composition became foundational to the series’ visual language, influencing graphic elements throughout.

The result is a cohesive aesthetic that binds together emotion, place, and character — drawing viewers deeper into Butterfly’s world.

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The Locators

To identify the show’s many locations, we used clean white typography over establishing shots.

Each title animates on and off by glitching from its Korean name into English, echoing the style of the opening title card and the credits in the main sequence.

This consistency ties the design language together across the series.

End Card Design

While we didn’t handle the full end credits, we consulted on layouts to ensure they aligned with the visual language we established, providing a foundation for the rest of the sequence.

We also had a blast designing the production card for 82nd West, Ken Woodruff’s company, giving it the same graphic voice that ties the show’s design system together.

The Official Logo and Typography

Typographically, we aimed for a style that balanced action and technology, capturing the pulse of espionage that runs through the series.

For the Butterfly logo, we chose Stratum, a versatile geometric sans serif that delivered the precision and strength we needed. The logotype sits against a butterfly silhouette built from dozens of firearms, a striking nod to the original

graphic novel cover. This distinctive mark carries across marketing materials and the new graphic novel editions.

For credits, locators, and other text, we turned to Aglet Mono. By pairing semibold and light weights, we created a clear hierarchy between primary and secondary information while keeping the typography cohesive and functional.

Project Credits 
  • Executive Creative Director
    Erin Sarofsky
  • Executive Producer
    Steven Anderson
  • Creative Director
    Duarte Elvas
  • Head of Production
    Joel Signer
  • Producers
    Dylan Ptak
  • Kelsey Hynes
  • Lead Designers
    Nick Gardner
  • Daniel Geiszler
  • Lead Animator
    Nik Braatz
  • Animators
    Nick Gardner
  • Luke Shelley
  • Lukasz Tatarek
  • Mark Phillips
  • Davis Cameron Chu
  • Additional Design
    Luke Shelley
  • Scott Wenner
  • Pete DiCamilo
Client Credits 
  • Client
    Amazon MGM Studios
  • Created by
    Steph Cha
  • Ken Woodruff
  • Executive Producer
    Daniel Dae Kim
  • Co-Executive Producer
    O’Shea Read
  • Post Production Supervisor
    Haley Shaeffer
  • Post Production Coordinator
    Kelcie Gruenberg
  • Main Title Theme by
    Curtis Green

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