You can’t unsee a horror. Shockingly imprinted in memory, it flashes back, unbid. Waking or sleeping the image replays, making even the real surreal. If you are investigating a murder, replaying that horror is part of your job. But that doesn’t make detachment and objectivity easy, or the mess murder makes in a multitude of lives, more bearable. Veena Sud came to us to create an opening title sequence that would capture the essence of all of that for her series, The Killing.